Musical Theatre is MATH by Jenna Dern

I’ve always loved a good musical number, but I don’t think I could put my finger on what made a really good piece, as opposed to a just-okay one. Since working on Hairspray, I’ve become even more perplexed by this phenomenon. I know what I like to see, but I don’t necessarily have the tools (yet) to recreate or vocalize what I can picture so clearly in my mind.

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